Doodles!

Just some rando Houdini doodles messing with different systems. Nothing thought out or anything, just trying to mess around more with it.

Music Fridays

Hop in the way back machine for bit of The The from the Dusk album.

Recruit “insecure overachievers.”

Need a few people I know to stumble upon this piece, “If You’re So Successful, Why Are You Still Working 70 Hours a Week? by Laura Empson “. Pull quote hell to follow.

“In the old days, if you were a white-collar worker, the deal was that you worked as hard as you could at the start of your career to earn the right to be rewarded later on, with security of tenure and a series of increasingly senior positions. This is no longer true.

…

The 500 interviews I conducted for my book showed a pattern: A professional’s insecurity is rooted in the inherent intangibility of knowledge work. How do you convince your client that you know something worthwhile and justify the high fees you charge? The insecurity caused by this intangibility is exacerbated by the rigorous “up or out” promotion system perpetuated by elite professional organizations, which turns your colleagues into your competitors. How do you convince your boss that you’re worth more than your closest colleague? There is no chance for a professional to rest on their laurels — or even to rest.

Exacerbating this problem, elite professional organizations deliberately set out to identify and recruit “insecure overachievers” — some leading professional organizations explicitly use this terminology, though not in public. Insecure overachievers are exceptionally capable and fiercely ambitious, yet driven by a profound sense of their own inadequacy. This typically stems from childhood, and may result from various factors, such as experience of financial or physical deprivation, or a belief that their parents’ love was contingent upon their behaving and performing well.

...

Your insecurities may have helped to get you where you are today, but are they still working for you? Is it time to acknowledge that you have “made it” and to start enjoying the experience a little bit more? And if your boss is an insecure overachiever, recognize how they are projecting their insecurity onto you — how they make you feel insecure for not being able to keep up with them.

Work exceptionally long hours when you need to or want to, but do so consciously, for specified time periods, and to achieve specific goals. Don’t let it become a habit because you have forgotten how to work or live any other way.”

Behind F1's Velvet Curtain- Kate Wagner

Fun read in the vein of good old Hunter S. Thompson, “Behind F1's Velvet Curtain by Kate Wagner”. I guess the magazine pulled it and now it’s blowing up on the interwebs of course. I found VIA Metafilter. My abusive pull quotes as always.

“If you wanted to turn someone into a socialist you could do it in about an hour by taking them for a spin around the paddock of a Formula 1 race. The kind of money I saw will haunt me forever.

Most of us have the distinct pleasure of going throughout our lives bereft of the physical presence of those who rule over us. Were we peasants instead of spreadsheet jockeys, warehouse workers, and baristas, we would toil in our fields in the shadow of some overbearing castle from which the lord or his steward would ride down on his thunderous charger demanding our fealty and our tithes. Now, though, the real high end of the income inequality curve—the 0.01 percenters—remains elusive. To their great advantage, they can buy their way out of public life. However, if you want to catch a glimpse of them, all you need to do is attend a single day of Formula 1 racing.

...

I saw $30,000 Birkin bags and $10,000 Off-White Nikes. I saw people with the kind of Rolexes that make strangers cry on Antiques Roadshow. I saw Ozempic-riddled influencers and fleshy, T-shirt-clad tech bros and people who still talked with Great Gatsby accents as they sweated profusely in Yves Saint Laurent under the unforgiving Texas sun. The kind of money I saw will haunt me forever. People clinked glasses of free champagne in outfits worth more than the market price of all the organs in my body. I stood there among them in a thrift-store blouse and shorts from Target.

...

If one takes many trips like this, I can see how it warps the mind, the perception of the world and our place in it. Power is enticing. Like Lewis Hamilton? You can eat steaks that cost the same as your electricity bill and meet him again. You, too, can bask in the balding aura of Prince Harry and the fake glow of Instagram models. Any wealth and status you lack, you can perform.”

"the future of the internet: a garbage dump"

This week in AI, brought to you by, “Is it too early to have a drink?” Great article by Erik Hoel called, “Here lies the internet, murdered by generative AI”. Read the whole piece, it’s a real good account of what is happening to the internet right now in real time. I was looking for info on a new printer and the amount of AI trash is insane. Here are way to many pull quotes.

“The amount of AI-generated content is beginning to overwhelm the internet. Or maybe a better term is pollute. Pollute its searches, its pages, its feeds, everywhere you look. I’ve been predicting that generative AI would have pernicious effects on our culture since 2019, but now everyone can feel it.

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What, exactly, are these “workbooks” for my book? AI pollution. Synthetic trash heaps floating in the online ocean. The authors aren’t real people, some asshole just fed the manuscript into an AI and didn’t check when it spit out nonsensical summaries. But it doesn’t matter, does it? A poor sod will click on the $9.99 purchase one day, and that’s all that’s needed for this scam to be profitable since the process is now entirely automatable and costs only a few cents.

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Now that generative AI has dropped the cost of producing bullshit to near zero, we see clearly the future of the internet: a garbage dump.

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This isn’t what everyone feared, which is AI replacing humans by being better—it’s replacing them because AI is so much cheaper. Sports Illustrated was not producing human-quality level content with these methods, but it was still profitable.

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All around the nation there are toddlers plunked down in front of iPads being subjected to synthetic runoff, deprived of human contact even in the media they consume. There’s no other word but dystopian. Might not actual human-generated cultural content normally contain cognitive micro-nutrients (like cohesive plots and sentences, detailed complexity, reasons for transitions, an overall gestalt, etc) that the human mind actually needs? We’re conducting this experiment live. For the first time in history developing brains are being fed choppy low-grade and cheaply-produced synthetic data created en masse by generative AI, instead of being fed with real human culture. No one knows the effects, and no one appears to care. “

New Work In the Wild: Specialized

Looks like a bunch of work we have been doing for Specialized is going live throughout their website. Take a peek around. Some serious heavy lifting on the hero shots. Shiny bike frames and helmets are no joke. Also, a good amount of background renders in various imagery which is always fun. Really purty bikes. ;)

This week in AI.

All AI news is bad news. That pretty much sums it up. I won’t even get into the video aspect yet, that will need it’s own post.

Instacart is using AI art. It's incredibly unappetizing.

“The text for the ingredients and instructions for the above recipes, meanwhile, is also generated by AI, as disclosed by Instacart itself: "This recipe is powered by the magic of AI, so that means it may not be perfect. Check temperatures, taste, and season as you go. Or totally switch things up — you're the head chef now. Consult product packaging to confirm any dietary or nutritional information which is provided here for convenience only. Make sure to follow recommended food safety guidelines."“

'Rat Dck' Among Gibberish AI Images Published in Science Journal

“The open-access paper explores the relationship between stem cells in mammalian testes and a signaling pathway responsible for mediating inflammation and cancer in cells. The paper’s written content does not appear to be bogus, but its most eye-popping aspects are not in the research itself. Rather, they are the inaccurate and grotesque depictions of rat testes, signaling pathways, and stem cells.

The AI-generated rat diagram depicts a rat (helpfully and correctly labeled) whose upper body is labeled as “senctolic stem cells.” What appears to be a very large rat penis is labeled “Dissilced,” with insets at right to highlight the “iollotte sserotgomar cell,” “dck,” and “Retat.” Hmm.”

Microsoft and OpenAI warn state-backed threat actors are using generative AI en masse to wage cyber attacks

Russian, North Korean, Iranian, and Chinese-backed threat actors are attempting to use generative AI to inform, enhance, and refine their attacks, according to a new threat report from Microsoft and OpenAI.

The group’s use of LLMs reflects the broader behaviors being used by cyber criminals according to analysts at Microsoft, and overlaps with threat actors tracked in other research such as Tortoiseshell, Imperial Kitten, and Yellow Liderc.

As well as using LLMs to enhance their phishing emails and scripting techniques, Crimson Sandstorm was observed using LLMs to assist in producing code to disable antivirus systems and delete files in a directory after exiting an application, all with the aim of evading anomaly detection.

DAX NORMAN's Online Museum of Curios

Just found Dax Norman’s god damn awesome art on tumblr and this stuff is freakin awesome. He is on Giphy as well, which happens to be where I make my stupid music show gifs.

Quit Taking It Personally

Here is some pretty good advice from Adam Savage when do you creative work for a job / living. I’ve been in these situations in visual art, commercial art and music. It’s all pretty relatable and good advice for the new comers out there.

Neal Stephenson Interview on the Atlantic

Author Neal Stephenson did a recent interview on The Atlantic that is interesting.

Wong: About a year ago, in an interview with the Financial Times, you called the outputs of generative AI “hollow and uninteresting.” Why was that, and has your assessment changed?

Stephenson: I suspect that what I had in mind when I was making those remarks was the current state of image-generating technology. There were a few things about that rubbing me the wrong way, the biggest being that they are benefiting from the uncredited work of thousands of real human artists. I’m going to exaggerate slightly, but it seems like one of the first applications of any new technology is making things even shittier for artists. That’s certainly happened with music. These image-generation systems just seemed like that was mechanized and weaponized on an inconceivable scale.

…

Wong: Do you think we’re seeing some of that naivete today in people looking at how generative AI can be used?

Stephenson: For sure. It’s based on an understandable misconception as to what these things are doing. A chatbot is not an oracle; it’s a statistics engine that creates sentences that sound accurate. Right now my sense is that it’s like we’ve just invented transistors. We’ve got a couple of consumer products that people are starting to adopt, like the transistor radio, but we don’t yet know how the transistor will transform society. We’re in the transistor-radio stage of AI.

AI song mastering is a thing now.

Arstechnica does a write comparing Apple, OZone, LANDR and Bandlabs AI Mastering Assistants.

I liked most of the results I got. Mastering Assistant, Ozone, and LANDR were each clearly capable of pro-sounding results; the web-based services I tried, including Bandlab and Waves, were somewhat more variable.

Apple's Mastering Assistant offered a less compressed and more open sound on my demo track, which sounded very nice. (Indeed, on another track of mine, I preferred Apple's approach for precisely this reason.) LANDR was also great, though it offered a much more controlled sound. For this demo track, however, Ozone's compressed-but-not-completely-crushed sound and its excellent handling of the overall EQ (the highs were present but never sizzling, for instance, and it dealt with one or two moments of sibilance better) won me over.

Funky Tuesday.

Some good old Meters, though not quiet fat Tuesday. Close enough.

Music Monday: Rock and Roll Animal

How I have never heard this version before? This is a crazy ass take on Sweet Jane. INterview with Steve Hunter who plays guitar on it.

Ryan: You get asked a lot about the seminal intro on the live version of “Sweet Jane” on Lou Reed’s Rock ‘n Roll Animal album. My understanding is that you had previously worked up something similar during your time with Detroit and also The Chambers Brothers, is that right?

Steve: That’s exactly right. I started writing it when I was with Mitch Ryder in Detroit in around ’71

Final note on 'Intro'

Before the album was released Steve was 'persuaded' to sign away all his rights as the composer in the USA, his choice was simple, sign or 'Intro' would be cut out. Despite his name being on the album as composer from the release date, he did not begin to get any royalties as the writer until 2011. The statute of rights only goes back seven years, so 38 years of income was lost. 


Painter Amy Bennett

Interview with painter Amy Bennett on Juxtapoz. Enjoy this work. It’s a mix between Gregory Crewdson and also has elements of macro / tilt shift photos some how. More paintings at Richard Heller Gallery.

“About a quarter of the paintings in Open Season were begun before the pandemic. I made a substantial model inspired by attending a 4H fair, and noting with curiosity that it seemed to attract both extreme ends of the political spectrum. I wanted to challenge myself to make images outside of the domestic realm. Painting crowds in the open air seemed like a counterbalance to the isolated interiors I had been immersed in. But it wasn’t long into lockdown that the theme felt too disconnected from our alarming new reality. We could finally see what a paradise we’d lost. In the very limited studio time I had then, with two kids suddenly needing to attend school at home, I returned to scenes in the home of marriage and family, that in hindsight, reflected a lot of grief, anxiety, and exhaustion.”

VIA Metafilter.