Upon returning to California after his studies in New Mexico, Davis took the unique moods of the desert and applied them with deftness to urban settings. By
nature, Davis is a loner and seeks settings that can be as much one place as any other anonymous spot on a street or lost highway. His saturated
nightscapes are composed with a single existing source whose light hugs and frames elements in the subject matter. This effect yields work that is
luminescent in a manner that evokes night as much as day. You can feel the heat and lingering effects of drenching sunshine imbuing the streets,
pavements, parking lots, buildings, valleys and billboards. Moreover, in his latest work he explores by taking pictures of buildings specifically on San Fernando
Road. This focused survey has brought his work to a new plane that culminates his vision and training. In 713 N. Victory Boulevard, Davis captures a
desolate corner that makes a viewer look twice because its richness and depth evoke a tangible painterly sensibility that makes one look back for
confirmation that it is a photograph, rather than a hyper-real painting. There is no trace of Hollywood glamour; solitude is palpable and LA takes on a majesty
unlike its actual, sprawling self. One can imagine if Edward Hopper were a photographer these are the pictures he would have taken.
Scott Davis, another fine photographer at Hous Projects.