What was old is new again....

How to survive being online.

The only way to defeat a narcissistic sociopath is to starve them. Protect yourself from their bullshit, of course, but move away from it. Let them have their stage, but refuse to be their audience.

This isn’t easy. It’s especially difficult because capitalism is an attention economy. The New York Times and The Washington Post love a narcissistic sociopath because they generate clicks and clicks sell ads. Social media loves a narcissistic sociopath for the same reason, but it’s even worse. On social media, we’re the ones carrying their water. Trump says something that he knows will get him attention (i.e. renaming the Gulf of Mexico) and not only does it fire up hundreds of media outlets, who now divert attention to this idiocy, but it also fires up tons of people like me and you, who end up reposting his garbage.

You Can’t Post Your Way Out of Fascism

If there’s one thing I’d hoped people had learned going into the next four years of Donald Trump as president, it’s that spending lots of time online posting about what people in power are saying and doing is not going to accomplish anything. If anything, it’s exactly what they want.

It isn’t quite as simple as “touch grass,” but it also sort of is.

Trusted information networks have existed since long before the internet and mass media. These networks are in every town and city, and at their core are real relationships between neighbors—not their online, parasocial simulacra. 

You can d­iscourse and quote-dunk and fact-check until you’re blue in the face, but at a certain point, you have to stop and decide what truth you believe in. The internet has conditioned us to constantly seek new information, as if becoming a sponge of bad news will eventually yield the final piece of a puzzle. But there is also such a thing as having enough information. As the internet continues to enshittify, maybe what we really need is to start trusting each other and our own collective sense of what is true and good.

We don’t need any more irony-poisoned hot takes or cathartic, irreverent snark. We need to collectively decide what kind of world we actually do want, and what we’re willing to do to achieve it.

Turn of Gemini in Gmail and other bits

“How to turn off Gemini AI in Gmail, Google Workspace

Disabling Gemini is fairly straightforward if you have access to your email domain’s administrator settings. First, access the Admin Console. Next, go to your Menu, select Generative AI, and choose Gemini.

From there, under the section that says Service status, select OFF for everyone.

It’s as simple as that.

If you don’t have access to the admin console, in your personal inbox settings you can go to General and turn off Smart features and personalization.

While that won’t entirely block the feature’s presence in your inbox, it will limit it.”

This kinda ties into something I have been meaning to mention here. Mainly, I am majorly limiting my internet time now so the blog posts here will probably dry up. I started Blogging back in 1998 and kinda kept at it all this time. But the internet is not what it once was and the rot is spreading so god damn fast. Most stuff I look up is AI generated trash or poison pill MAGA crap. So, well, I am just reading more books, doing more art and music. So, take this as my last post for awhile.

DanK- Signing off

New Work in the Wild- XMAS!

Bunch of work we did just went live on the Specialized website. Came out super clean IMO. Holy crap was this a ton of clipping and composites, lol!

"NO CGI" is really just INVISIBLE CGI

Cool break down of some older movies and very old VFX techniques. From the comments:

5:47 Removing bluescreens from behind the scenes footage is just wild”

Karma default clouds versus Redshift Standard Volume

So in my challenge to start using Karma / Solaris more in Houdini I went and did some cloud tests one a cloud I modeled back for the guitar project. Same scale height and settings as close as I could get them. Karma volume settings are just default, no changes. I had to tweak the Redshift Standard Volume Shader a good deal to get it this far. Rendered both out at 1920x 1080. The Karma one looks more like a cloud though while the Redshift one still feels more like smoke to me. Karma on left, Redshift on right. Using Houdini 20.5.410 and Redshift 2025.1.1.

Are the fires of hell a-glowing?

There’s no earthly way of knowing

Which direction we are going

There’s no knowing where we’re rowing

Or which way the river’s flowing

Is it raining?

 Is it snowing?

Is a hurricane a-blowing?

Not a speck of light is showing

So the danger must be growing

Are the fires of hell a-glowing?

Is the grisly reaper mowing?

Yes, the danger must be growing

‘Cause the rowers keep on rowing

And they’re certainly not showing

Any signs that they are slowing!

Gene Wilder / Mel Stuart’s Willy Wonka & the Chocolate Factory (1971)

VIA 20th Century Man (nsfw)

Photoshop Bug: Droplet couldn't communicate with Photoshop

So you updated Photoshop and now all your Droplets don’t work. Cool cool…. Yeah, you can still use “Bridge > Tools > Photoshop > Batch” like a primitive or you can fix it. Well, how to fix it you ask? On Windows, run Photoshop as an admin and THEN make your Droplets. Reboot Photoshop OUT of admin mode and they should work. Screenshot here for how to run PS as an admin.

Bonkers

What a crazy idea….

Band poster and EP artwork!

Made a new band poster for a show and did the artwork for this EP by Manx. Rock and Roll Portland Peoples!

The Pedersen bicycle, also called the Dursley Pedersen bicycle.

Wow, this thing is freaking nutso. A bike based on suspension bridges. From the Wiki.

“Pedersen wrote that he developed the hammock style seat first. It provides suspension from road imperfections with much less weight, 4 ounces (110 g) instead of 3 pounds (1.4 kg) of traditional leather and steel spring saddles of the day. Pedersen then developed a frame, a truss assembled from several thin tubes, around his new seat design. He attributed his inspiration to the Whipple-Murphy bridge truss. The design initially did not support seat height adjustment, and even after some adjustability was added, required the manufacture of eight different sizes. The non-standard frame design would not accommodate a traditional front fork. Instead, Pedersen developed a fork that also consisted of thin tubes assembled into a truss, which was attached to the frame with bearings at two distinct points, instead of through a traditional head tube. Pedersen also received patents for a chainwheel and bottom bracket combination and lightweight pedals.[2]

tumblr wisdoms

Just some rando screen grabs from tumblr that are pretty spot on I thought I post.